SAP HR Recrutiment. The data held within the Recruitment module is held in a separate database, as is the data contained within PA and OM. The master data for Recruitment is held in tables (PBxxxx) where xxxx is the infotype number. You can can get the infotype number by using the menu path: System. Status. You will see the program number which contains the infotype number in the notation. The Recruitment module within SAP is probably its weakest HR module. Our advice is to only introduce bespoke developments when it is either essential for your business or going to involve very little risk to other parts of SAP. Development items such as bespoke infotypes are fine. Just be wary of modifying SAP standard objects. You may well find that this affects another part of SAP - at some point in the future. Probably one of the strongest pieces of advice SDS can offer, is to recommend that you get your business processes clearly defined for Recruitment. This should take place as a matter of course during your implementation. PDF File: Sap E Recruiting Configuration Guide - SERCG-18-TAOM6-PDF 2/4 Sap E Recruiting Configuration Guide INTRODUCTION This particular Sap E Recruiting. Jeremy Masters, Christos Kotsakis, and Venki Krishnamoorthy E-Recruiting with SAP PDF File: Sap E Recruiting Configuration Guide - SERCG-18-WWRG6-PDF 2/4 Sap E Recruiting Configuration Guide INTRODUCTION This particular Sap E Recruiting. Sap E Recruiting Configuration Guide. 14-09-2016 2/2 Sap E Recruiting Configuration Guide. Other Files Available to Download Download as DOC, PDF, TXT or read online from Scribd. Flag for inappropriate content. More information Show less. How to create DSN in SQLServer. These processes which will include both SAP and non- SAP activities should be available to all on an Intranet. It is great to have them on a file server somewhere, but does everyone know where they are stored and does everyone have access to this drive? The fast entry screen within Recruitment is very inflexible. You can't use screen modifications on it, as you can with other Recruitment and PA screens. One thing you can do is make use of Transaction and Screen Variants. The transaction code to activate this is SHD0. It is a very useful piece of functionality within SAP. With it you can hide fields, provide defaults, make fields mandatory etc. There is some very useful information on it, just click on the . You have to have the . SAP has some serious limitations in this regard. The first problem is that everything is geared around the advert. Most of the reports have advert as a selection criteria, but most do not have vacancy or position included as a selection criteria. You can insert vacancy or position as a selection field in the relevant reports. This will involve some additional ABAP development work. SAP does not provide a typical object type for advert, as it does for org unit, job, position etc. PDF File: Sap E Recruiting Configuration Guide - SERCG-18-STRG6-PDF 2/4 Sap E Recruiting Configuration Guide INTRODUCTION This particular Sap E Recruiting.This becomes a problem if you need to bespoke anything within the Recruitment module in SAP. The module does tend to just hang together in a manner which is different to the rest of HR. If you publish your advert in more than one advertising recruitment instrument, then you have to create a separate advert for each one. This is because the time constraint on advert will only allow one recruitment medium per advert. The fact that advert is not an object in SAP means that to change the time constraint, you would effectively have to modify the relevant programs - which is going down the high- risk road. You can also not use advert altogether. Make use of the Unsolicited Application Groups on PB1. The downside to this is that you will have to write your own cost per applicant reports. You can use the transaction code OOPS to default the personnel area and sub- area for recruitment. This would also affect PA as well. Remember that when you go into the main configuration screen for Actions in Recruitment called . You need to scroll along to the right to see the other columns. One of the most important columns holds the value for the Info Group. This is often missed by users and consultants when configuring the Recruitment module. When entering the initial data for an applicant, the system does a check on first name and surname only. Once you hit the return button it does the check even if you haven't clicked on the . It looks for unique matches. If for example the previous applicant's name is Sarah Jones: Sarah Jones - Will find the match. Sara Jones - Will find the match. S J - Will find the match. Sar Jons - Won't find the match. The check is only done once you have changed the input fields for both first name and last name and then clicked the return button. These pieces of configuration are used essentially to group the different types of applicants in the system. They can be used very effectively in decisions for features and for report selection and output. Many customers are not able to come up with meaningful entries for both fields. It is worth spending a fair amount of time in deciding the values for these fields. They are integral to the Recruitment module and its successful implementation. Remember that there are a number of SAP standard dynamic actions which are there to assist you. Remember to add to them if you add in, for example, additional action types for Recruitment. These are very useful in the Recruitment solution for making changes to the screen fields where you either can't use . Remember that the feature for each infotype will generally allow you to select on either Applicants(B) or Employees(A). The transaction code OOPS allows you to set various fields. Try it out, it is quite useful. Remember that setting Personnel Area and Sub- area will set it for your user settings on that client. Remember that these can also be set in your user parameters. See the document we have in the Knowledge Base on User Parameters. For information, the common fields and parameter settings are: Personnel Area = PBRPersonnel Sub- area = PBSApplicant Group = APGApplicant Range = APRCountry = LNDIf you would like to transfer additional infotypes for internal applicants (PA to Rec) then you can do so by enhancing the user exit ZPAP4. CUS. You also need to modify the feature IGMOA. See OSS note 3. 14. Mail – Changes to Infotypes. The feature M0. 00. Refer to the documentation under Personnel Administration which provides more details on how to configure this. Mail sent after update to Applicant Activity. The feature MAILS can be used to send out an email to various recipients based on changes to different Applicant Activities in Recruitment. The following table shows a list of infotypes which are available as standard in the Recruitment module. This table contains infotypes which can be used in Recruitment. Infotype. Infotype name. Organizational Assignment. Personal Data. 00. Addresses. 00. 07. Planned Working Time. Basic Pay. 00. 09. Bank Details. 00. Recur. Payments/Deds. Additional Payments. Contract Elements. Education. 00. 23. Other/Previous Employers. Skills. 00. 28. Internal Medical Service. Date Specifications. Fiscal Data A0. 07. Additional Personal Data. Communication. 01. Working Time. 01. Personal Data B0. Contract Elements. Personal IDs. 01. Construction Pay: Previous ER0. GB View for Contractual Elements. Suppl. The following items should be considered: If your company uses a particular font set, does it exist within SAP Script - if not it will have to be added. Would you need to use the . You may wish to include IF, THEN, ELSE statements etc, in your letter. SAP Script provides many whilst standard Word provides a bit less. Are all the mail merge fields available in Word? If you would like to hold more expansive details about interview venues you can do so in Word or SAP Script using a few programming commands. SAP allows you to store 6 characters for both the room and building which is great if you are all familiar with them and where they are etc. If you need to store an address for them, then that becomes a lot more difficult. You can use IF statements in both Word and SAP Script to retrieve much more expansive and descriptive texts. The following fields are available to be inserted into letters of correspondence. This table contains fields which can be used in letters of correspondence. Field. Field Description. ADRS- ANREDTitle. ADRS- NAME1. Name 1 of an address. ADRS- NAME2. Name 2 of an address. ADRS- NAME3. Name 3 of an address. ADRS- NAME4. Name 4 of an address. ADRS- STRASHouse number and street. ADRS- PFACHPO box. ADRS- PSTL2. PO Box postal code. ADRS- PFORTPO Box city. ADRS- LAND1. Country key. ADRS- PSTLZPostal code. ADRS- ORT0. 1City. ADRS- ORT0. 2City. ADRS- REGIORegion (State, Province, County)ADRS- SPRASLanguage Key. ADRS- INLNDCountry key. ADRS- ANZZLNumber of lines in the address. ADRS- PRIORAddress lines priority. ADRS- WARENDelivery address IDADRS- LINE0. Address line. ADRS- LINE1. Address line. ADRS- LINE2. Address line. ADRS- LINE3. Address line. ADRS- LINE4. Address line. ADRS- LINE5. Address line. ADRS- LINE6. Address line. ADRS- LINE7. Address line. ADRS- LINE8. Address line. ADRS- LINE9. Address line. ADRS- LINEKAddress line. ADRS- LINEDAddress line. ADRS- LINED0. Address line. CONTR- CTARTText for contract type (Contract Elements infotype)CONTR- PERSGName of employee group. CONTR- PERSKName of employee subgroup. CONTR- RETEXTText for Work Schedule Rule (Planned Working Time Infotype)CONTR- SZTXTText for time recording status (IT Planned Working Time)CONTR- WWTXTName of Working Week (Planned Working Time Infotype)CONTR- PREASText on reason for change (Basic Pay infotype)CONTR- TARTXName of pay scale type (Basic Pay infotype)CONTR- TGBTXName of pay scale area (Basic Pay infotype)CONTR- CTRBEContract start date (Infotype Contract Elements)CONTR- CTRENContract temporary until (Infotpye Contract Elements)CONTR- WRKPLWork location (Contract Elements infotype)CONTR- LFZFRNumber of continued pay periods (IT Contract Elements)CONTR- LFZZHContinued pay period unit (IT Contract Elements)CONTR- KRZFRNo. Dear)PTXT1- TEL0. Pers. officer's tel. Mr/Mrs/Ms)PTXT1- NACHNLast name. PTXT1- VORNAFirst name. PTXT1- ENAMEFormatted name (e. Dr Jones)PTXT1- BEGDADate of receipt of application. PTXT1- PERNRApplicant number. PTXT1- PLSTXName of position. PTXT1- DATUMDate and time, current (application server) date. PTXT1- WWBEGDADate of receipt of application. PTXT1- TODAYSystem: Current date. PTXT1- ASHTXShort text for applicant activity type. PTXT1- ACTTXLong text for applicant activity type. RFACT- INDICIndicator: Completed/planned. RFACT- ACTIDIdentification number for applicant activity. RFACT- APACTApplicant activity type. RFACT- DATUMLast changed on. RFACT- UZEITTime. RFACT- UNAMEUser name.
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Trusted Ic Supplier Accreditation Program ManagerTrusted Ic Supplier Accreditation Program For Public ElementaryOld Time Radio Theater. Old Time Radio Theater. Online Since 2. 00. Welcome Old Time Radio (OTR) Fans. If you are a fan of Old Time Radio, we would love to have you in our file sharing club! We currently have over 4. Please see details further down this page. Many are donated by our members and can only be found here. Listen to our shows on You. Tube. Follow us on Twitter Follow @mysteryshows. If you enjoy this website, please . It helps other OTR fans find us in Google easier. Share the Joy of Old Time Radio! Thanks! Listen To Our Featured Show. Suspense - . If that's not bad enough.. There is a murderer on the loose that just escaped from a mental institution! Original broadcast 1. Enjoy the shows. Important Tip: It's best to always right- click on the filename of the show and then select . Click here to see the list of shows in the club members area. List of old-time radio programs This article needs additional. Claudia and David (radio program) Claybourne; The Clicquot Club Eskimos; Cloak and Dagger. A place where you can listen for free to your favorite old-time. Old Time Radio Programs you can listen to. Collecting OTR is a fun hobby and great entertainment. The Antique Radio Collector's Library of Old Time Radio Programs. Mystery Old Time Radio Shows. The Whistler - 'The Whistler' was an American radio program running for a total of 13 years from May 16, 1942 until September 22, 1955. Free Old Time Radio Shows from 'The Golden Age of Radio!' Welcome to Old Radio. The Old Time Radio Scripts Page! Old Time Radio Catalog. OLD TIME RADIO: Advertisement. Custom Search SimplyScripts. Entertaining and educational information for collectors of old time radio shows. Click on the gold radio to visit the golden age of radio. It's where the club members and I hang out. We talk about vintage radio shows, recommend good old time radio downloads to each other, post club news, talk about our latest OTR download, ask and answer questions about old time radio programs, trade shows and lot's more! Please visit our OTR forum Everyone Welcome! All club members and visitors to our website are welcome to participate. We Invite You To Join Our Old Time Radio Club. It's our goal to bring the joy of old time radio to as many people as possible. We think it's especially important to get young people interested. I'd hate to see something this wonderful just fade away. By helping us keep this website going, you'll be playing an important part in this effort. This is a . We raise money via donations to pay for our web server, bandwidth and new sets of shows for everyone to share and enjoy. We truly need and appreciate your help. It's your generous support that allows us to maintain and improve this website. If you are blind, you may have a membership at no cost. This is a vision impaired friendly site. We've tried to make it accessible to readers with text to speech web browsers. Benefits Of Club Membership. Folks, we really appreciate our supporters. It's you who makes this website possible. Everyone who supports our efforts with a donation will receive a lifetime membership in our OTR Club and receive access to our Club Members area. Access to over 4. We've got tons of great OTR shows for you to enjoy. Shows like, The Inner Sanctum, Charlie Chan, Father Knows Best, The Lone Ranger, Sherlock Holmes and many, many more. Click Here to see the full list of what we have in our club members area. The Club Members area is a special web directory where we keep all of our mystery and non- mystery radio shows we've collected over the years. Here you'll find Mystery, Adventure, Comedy, Detective, Drama, Historical, Holiday, Musical, Horror, Sci- Fi, Serials, Westerns, Old Radio Commercials and more! We currently have over 2. Gigabytes (over 4. Members area (Many more shows to come, we are constantly adding to our online collection). We work on this site a lot. It's our goal to make this the best OTR site on the Internet and the biggest single online collection of old time radio shows available. If you are wondering what our club area looks like, it is exactly like what you see if you go into any of the mystery show folders listed at the bottom of this page. We use a simple directory structure format. What you see in the folder is exactly what is on the server in that particular directory. You will be given your username and password to the Members area immediately after making your donation. You will also receive a downloadable membership certificate, suitable for printing (located in the club members area) when you join. Make sure it is correct. Also: After you make your donation, you'll be taken directly to a page that has your username and password on it. Don't close the page until you have printed it or written down the information. If your email server or email software uses any kind of a spam filter, it may mistake my email for spam and block it or put it in your junk mail folder. You can check your junk mail folder in your email program or use our . I will do everything possible to get you your membership as quickly as possible. We have many happy club members as you can see by reading our discussion forum. We get thousands of visitors each month coming to listen to and download our shows. Each and every donation is very important to us. These donations help us to maintain and improve our website and buy more shows for everyone to enjoy. Please assist us in our efforts to preserve old time radio. You can make a difference. One- Time Donation = Lifetime Club Membership. Here is a nice letter we received from one of our club members. It's a great feeling knowing that people are enjoying these shows. The passing of many years has not altered the fun and excitement of old time radio! Dear Mr. Webmaster Brad: The word . Next I heard an adventure of the Sea Hound. Pardon me while I don my parka for a trip to check up on the whereabouts of Sergeant Preston's horse Rex and his wonder dog Yukon King- -fastest and strongest lead dog of the Northwest. Thanks again for opening up a retroworld of adventure, drama, mystery and fantasy among other treasures. Sincerely,Patrick M. Read more comments about our OTR club, sent in by members. Privacy Policy: We promise never to bother our club members with sales emails (or any other type of emails) after joining the club. We have nothing to sell. We are an old time radio hobby club. We sell no products and do NOT mass email our club members with spam or junk mail. We never sell, rent or give our club members email address to anyone for any reason. There are absolutely no ads anywhere in the club members area. If you send us an email, we will answer it via email. If you submit a support ticket, we will answer with our support ticket system. All other communication with our club members is done by messages posted on our discussion forum and posts we make to our Club News blog. You are free to read, or not read these posts as you see fit. Some of our club members like to actively participate in our club by donating shows we don't already have, giving show recommendations to other club members in our forum or picking a good mystery show for our mystery podcast. Club member participation is strictly voluntary. Just contact me in the discussion forum if you are interested. We don't want to bother our club members. We only want everyone to enjoy their experience here. If you have any questions about our website and club, please see our Frequently Asked Questions page or feel free to. You may donate the amount that is right for you. All club memberships are exactly the same. There are NO different membership levels. All members enjoy the same full time access to every show we have in our collection. Everyone who makes a donation receives a lifetime membership in our club, which includes full access to 4. OTR shows (download to your computer or listen online). Paypal can also process credit card and check donations for us. No waiting for your check to clear. You'll get your log- in info right away. If you aren't totally satisfied with your club membership for any reason, just and I'll return your entire donation. This will greatly help us in our efforts to keep old time radio alive. They can be played with Windows Media Player (comes free with Windows), Apple Itunes (Free from Apple) and almost any modern audio playing software. If you need a great free mp. VLC Media Player. If any of these shows don't sound right, try adjusting or turning off the equalizer in your player's software. These radio shows are old, so please forgive any little sound problems you may encounter. Try Our Mystery Podcast We hand pick a great mystery show every now and then and add it to our Old Time Radio Mystery Theater podcast. Just click the orange podcast button and see. The rss feed URL of our podcast is: http: //www. Podcasts/Mystery- Shows- Feed. Just copy and paste it into your . Or you can use a desktop software feed reader such as . It works great and it's free. You can get a copy at: http: //www. If you use Itunes. Paste in the link shown above. Or click a button shown below to add our podcast to one of these services. Just go there and enjoy the shows. You might want to bookmark that page and visit it again to hear the new shows as we add them. Simply click the following link to enjoy our podcast. Old Time Radio Mystery Theater Podcast Player. The podcast is totally free. You don't even need to sign up to use it. Just click and enjoy. Mystery Shows. Many more mystery (and non- mystery) shows are available in the club members area. How to listen to these shows: Pick the series of shows you'd like to listen to by clicking on the radio picture next to the series name or click on the link called . This will take you to the folder of shows for that series. It's best to turn your bass down on your player. This makes the shows sound the best. ABC Mystery Time(1. ABC Mystery Time was hosted by Don Dowd and starred Sir Laurence Olivier. Listen to these shows now. Malone is our amazing hero, a Chicago lawyer who's hobby is collecting cliches, and each weeks show is based off of one. Listen to these shows now. Barry Craig Confidential Investigator(1. Barry Craig, Confidential Investigator was a radio detective drama heard on NBC from October 3, 1. June 3. 0, 1. 95. Unlike his contemporaries Sam Spade and Philip Marlowe, Craig had a laid- back personality, somewhat cutting against the popular . Others in the cast included Parley Baer and Betty Lou Gerson. Box 1. 3(1. 94. 8- 1. Box 1. 3 was a syndicated radio series about the escapades of newspaperman- turned- mystery novelist Dan Holliday, played by film star Alan Ladd. Created by Ladd's company, Mayfair Productions, Box 1. August 2. 2, 1. 94. Mutual's New York flagship, WOR, and aired in syndication on the East Coast from August 2. August 1. 4. On the West Coast, Box 1. March 1. 5, 1. 94. March 7, 1. 94. 9. Golden Age of Radio - Wikipedia. Before television, radio was the dominant home entertainment medium. The old- time radio era, sometimes referred to as the Golden Age of Radio, refers to a period of radio programming in the United States lasting from the proliferation of radio broadcasting in the early 1. During this period, when radio was dominant and filled with a variety of formats and genres, people regularly tuned into their favorite radio programs. According to a 1. C. Hooper survey, 8. Americans were found to be radio listeners. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept. While Fessenden's role as an inventor and early radio experimenter is not in dispute, several contemporary radio researchers have questioned whether the Christmas Eve broadcast took place, or whether the date was in fact several weeks earlier. The first apparent published reference to the event was made in 1. H. P. Davis, Vice President of Westinghouse, in a lecture given at Harvard University. In 1. 93. 2 Fessenden cited the Christmas Eve 1. Vice President S. M. Kinter of Westinghouse. Fessenden's wife Helen recounts the broadcast in her book Fessenden: Builder of Tomorrows (1. Fessenden's death. The issue of whether the 1. Fessenden broadcast actually happened is discussed in Halper and Sterling's article . Belrose, Radioscientist Emeritus at the Communications Research Centre Canada, in his essay . Radio was especially important during World War I as it was vital for air and naval operations. World War I brought about major developments in radio, superseding the Morse code of the wireless telegraph with the vocal communication of the wireless telephone, through advancements in vacuum tube technology and the introduction of the transceiver. After the war, numerous radio stations were born in the United States and set the standard for later radio programs. The first radio news program was broadcast on August 3. MK in Detroit; owned by The Detroit News, the station covered local election results. This was followed in 1. United States, KDKA, being established in Pittsburgh. The first regular entertainment programs were broadcast in 1. March 1. 0, Variety carried the front page headline: . Their distribution made the golden age of radio possible. Mutual, ABC and NBC's radio assets now reside with Cumulus Media's Westwood One division through numerous mergers and acquisitions since the mid- 1. The major networks were: Types of programs. In addition, the capability of the new medium to get information to people created the format of modern radio news: headlines, remote reporting, sidewalk interviews (such as Vox Pop), panel discussions, weather reports, farm reports. This series of programs, broadcast at least once weekly by more than 7. America, was written and produced by the radio section of the Office of War Information (OWI). The earliest radio programs of the 1. By the late 1. 92. The sponsored musical feature soon became most popular program format. Most early radio sponsorship came in the form of selling the naming rights to the program, as evidenced by such programs as The A& P Gypsies, Champion Spark Plug Hour, The Clicquot Club Eskimos, and King Biscuit Time; commercials as they are known in the modern era were still relatively uncommon and considered intrusive. During the 1. 93. NBC's Monitor continued such remotes well into the 1. New York City jazz clubs to rural America. Classical music programs on the air included The Voice of Firestone and The Bell Telephone Hour. Texaco sponsored the Metropolitan Opera radio broadcasts; the broadcasts, now sponsored by the Toll Brothers, continue to this day around the world, and are one of the few examples of live classical music still broadcast on radio. One of the most notable of all classical music radio programs of the Golden Age of Radio featured the celebrated Italian conductor Arturo Toscanini conducting the NBC Symphony Orchestra, which had been created especially for him. At that time, nearly all classical musicians and critics considered Toscanini the greatest living maestro. Popular songwriters such as George Gershwin were also featured on radio. There was no dedicated classical music radio station like NPR at that time, so classical music programs had to share the network they were broadcast on with more popular ones, much as in the days of television before the creation of NET and PBS. Country music also enjoyed popularity. National Barn Dance, begun on Chicago's WLS in 1. NBC Radio in 1. 93. In 1. 92. 5, WSM Barn Dance went on the air from Nashville. It was renamed the Grand Ole Opry in 1. NBC carried portions from 1. NBC also aired The Red Foley Show from 1. ABC Radio carried Ozark Jubilee from 1. Radio attracted top comedy talents from Vaudville and Hollywood for many years: Fred Allen, Jack Benny, Victor Borge, Fanny Brice, Billie Burke, Bob Burns, Judy Canova, Jimmy Durante, Phil Harris, Bob Hope, Groucho Marx, Jean Shepherd, Red Skelton, Abbott and Costello, and Ed Wynn. Situational comedies also gained popularity, such as Amos 'n' Andy, Burns and Allen, Easy Aces, Ethel and Albert, Fibber Mc. Gee and Molly, The Goldbergs, The Great Gildersleeve, The Halls of Ivy (which featured screen star Ronald Colman and his wife Benita Hume), Meet Corliss Archer, Meet Millie, and Our Miss Brooks. Radio comedy ran the gamut from the small town humor of Lum and Abner, Herb Shriner and Minnie Pearl to the dialect characterizations of Mel Blanc and the caustic sarcasm of Henry Morgan. Gags galore were delivered weekly on Stop Me If You've Heard This One and Can You Top This?. Quiz shows were lampooned on It Pays to Be Ignorant, and other memorable parodies were presented by such satirists as Spike Jones, Stoopnagle and Budd, Stan Freberg and Bob and Ray. British comedy reached American shores in a major assault when NBC carried The Goon Show in the mid- 1. Kaufman's Pulitzer Prize- winning Broadway hit, You Can't Take It with You (1. Mutual (1. 94. 4) with Everett Sloane and later on NBC (1. Walter Brennan. Other shows were adapted from comic strips, such as Blondie, Dick Tracy, Gasoline Alley, The Gumps, Li'l Abner, Little Orphan Annie, Popeye the Sailor, Red Ryder, Reg'lar Fellers, Terry and the Pirates and Tillie the Toiler. Bob Montana's redheaded teen of comic strips and comic books was heard on radio's Archie Andrews from 1. The Timid Soul was a 1. Webster's famed Caspar Milquetoast character, and Robert L. Ripley's Believe It or Not! Conversely, some radio shows gave rise to spinoff comic strips, such as My Friend Irma starring Marie Wilson. When daytime serials began in the early 1. The line- up of late afternoon adventure serials included Bobby Benson and the B- Bar- B Riders, The Cisco Kid, Jack Armstrong, the All- American Boy, Captain Midnight, and The Tom Mix Ralston Straight Shooters. Badges, rings, decoding devices and other radio premiums offered on these adventure shows were often allied with a sponsor's product, requiring the young listeners to mail in a boxtop from a breakfast cereal or other proof of purchase. Outstanding radio dramas were presented on such programs as 2. Corwin, NBC Short Story, Arch Oboler's Plays, Quiet, Please, and CBS Radio Workshop. Orson Welles's The Mercury Theatre on the Air and The Campbell Playhouse were considered by many critics to be the finest radio drama anthologies ever presented. They usually starred Welles in the leading role, along with celebrity guest stars such as Margaret Sullavan or Helen Hayes, in adaptations from literature, Broadway, and/or films. They included such titles as Liliom, Oliver Twist (a title now feared lost), A Tale of Two Cities, Lost Horizon, and The Murder of Roger Ackroyd. It was on Mercury Theatre that Welles presented his celebrated- but- infamous 1. H. Wells's The War of the Worlds, formatted to sound like a breaking news program. Theatre Guild on the Air presented adaptations of classical and Broadway plays. Their Shakespeare adaptations included a one- hour Macbeth starring Maurice Evans and Judith Anderson, and a 9. Hamlet, starring John Gielgud. Watson in films, repeated their characterizations on radio on The New Adventures of Sherlock Holmes, which featured both original stories and episodes directly adapted from Arthur Conan Doyle's stories. None of the episodes in which Rathbone and Bruce starred on the radio program were filmed with the two actors as Holmes and Watson, so radio became the only medium in which audiences were able to experience Rathbone and Bruce appearing in some of the more famous Holmes stories, such as . There were also several dramatizations of Sherlock Holmes stories on radio without Rathbone and Bruce. During the latter part of his career, celebrated actor John Barrymore starred in a radio program, Streamlined Shakespeare, which featured him in a series of one- hour adaptations of Shakespeare plays, many of which Barrymore never appeared in either on stage or in films, such as Twelfth Night (in which he played both Malvolio and Sir Toby Belch), and Macbeth. Lux Radio Theatre and The Screen Guild Theater presented adaptations of Hollywood movies, performed before a live audience, usually with cast members from the original films. Suspense, Escape, The Mysterious Traveler and Inner Sanctum Mystery were popular thriller anthology series. Leading writers who created original material for radio included Norman Corwin, Carlton E. Morse, David Goodis, Archibald Mac. Leish, Arthur Miller, Arch Oboler, Wyllis Cooper, Rod Serling, Jay Bennett, and Irwin Shaw. Broadcast production methods. Thus actors could face each other and react. An actor could give the effect of leaving the room by simply moving his head toward the dead face of the microphone. The scripts were paper- clipped together, and pages were dropped to the carpeted floor after use. |
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